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— avg BPM
Energy Curve
BPM over the set. Aim for an arc that builds and breathes.
Tempo
Rough transition (>40 BPM)
Drop in your songs and their BPMs. See the energy curve. Catch awkward transitions before the show — not during it. Works offline. No signup. Your setlists stay in your browser.
BPM over the set. Aim for an arc that builds and breathes.
A setlist isn't a playlist. Playlists are for listening alone, on shuffle, at 60% attention. A setlist is a 45 to 90 minute story you tell a room full of strangers, and the only tools you have are the songs, the order, and the way one ends into the next.
The opener's job is to tell the audience they're in the right place. Mid-to-upper tempo, something tight, something you can perform in your sleep if the monitors are wrong. Save your best song for later in the set, when you've earned the attention.
A straight BPM ramp from slow to fast feels mechanical. Better: build, peak, break, rebuild. Your BPM curve should look like a rolling hill with one or two clear peaks, not a staircase. A slower song placed two-thirds through the set creates room for your big closer to land.
A 40+ BPM jump between adjacent songs pulls the audience out of the moment. If two songs have wildly different tempos, put a medium-tempo song between them, or use a talk break to reset the room. A tuning break or instrument swap can cover a tempo shift the music can't.
The closer is the song your audience will hum in the parking lot. It doesn't have to be your fastest — it has to be your most memorable. Often that's a singalong, a big crescendo, or your most confident performance. Whatever it is, the last song should feel like you meant it.
Play the set in order at rehearsal at least once before the gig. Things that look fine on paper sometimes fall apart when you factor in tuning changes, instrument swaps, or the moment when the drummer needs water. The set is the performance; rehearse it like one.